Kathak and Bharatanatyam are two
popular classical dance forms. Find out
how they differ with respect to theme,
dress and movements.
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Kathak and Bharatanatyam are two
popular classical dance forms. Find out
how they differ with respect to theme,
dress and movements.
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Answer:
The north Indian Kathak dance differs from the south Indian Bharatanatyam in several ways, even though both have roots in the Hindu text Natya Shastra. Kathak expressions – particularly in Hindu devotional styles – are more introverted and withdrawn, while Bharatanatyam is more extroverted and expansive.
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Here's a easy contrast among Kathak and Bharatanatyam:
**Theme:**
- **Kathak:** Kathak frequently specializes in storytelling through problematic footwork, expressive gestures, and facial expressions. It includes issues from mythology, folklore, and ancient stories.
- **Bharatanatyam:** Bharatanatyam typically emphasizes devotion and spirituality, regularly portraying stories of Hindu gods and goddesses. It includes complex hand gestures, rhythmic actions, and geometric patterns.
**Dress:**
- **Kathak:** Dancers in Kathak normally wear long, flowing skirts or 'lehengas' with a fitted blouse. They may put on ankle bells ('ghungroo') that decorate the rhythmic elements of the dance.
- **Bharatanatyam:** Bharatanatyam dancers put on traditional apparel comprising a colorful sari with pleats stitched in a particular way, adorned with embellishes like a waistbelt, jewelry, and flora in the hair.
**Movements:**
- **Kathak:** Kathak includes complex footwork with a variety of spins and fast actions. Hand gestures ('mudras') and facial expressions ('abhinaya') play a vast position in portraying feelings.
- **Bharatanatyam:**Bharatanatyam features unique footwork observed via statuesque poses araimandi and rhythmic moves. Hand gestures hastas and expressions are used to bring emotions and testimonies.
Both dance bureaucracy are rich in cultural historical past however vary in their fashion, themes, costumes, and moves, supplying unique reviews to their audiences.